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Thursday, January 11, 2007

A Family of Stompers: Generational Heritage Uncovered While Making Upcoming Film 'Stomp the Yard'

A Family of Stompers: Generational Heritage Uncovered While Making Upcoming Film 'Stomp the Yard'

Like Alex Haley's 'Roots,' Making of New Film Found Author Reaching Into His Past All the Way Back to Africa

LOS ANGELES, Jan. 11 /PRNewswire/ -- When Gregory Anderson first sat down to pen the script for the upcoming Sony / Screen Gems film "Stomp the Yard," while a student at Florida A&M University (FAMU), the film's future was nothing more than a dream. Several years later as he prepared to do the rewrite, he found that the story and history of "Stomp the Yard" had a deeper connection to not only his family, but to all African Americans. "At the end of the day, what I discovered about myself and my people, was far more valuable than I could have ever imagined." - Gregory Anderson.

The movie, which opens nationwide January 12, is driven by the unique art form called "Stepping." Stepping (or "Stomping") is a rhythmic dance tradition created by African American Fraternities and Sororities. This territory was nothing new to Gregory, who is a member of Omega Psi Phi and whose classmates (and Producers of "Stomp the Yard") Will Packer and Rob Hardy are members of Alpha Phi Alpha. But, as Greg crafted the story, he soon realized he had to go deeper. "I had a teacher in High School named Mrs. Sherry Hendricks, and she taught us that in life, we have to look beyond the surface of things, the shape of things. No matter how painful or hard, we have to search for what lies beneath, because that is where the truth is".

Greg always knew he had a long lineage of frat / soror members in his family, dating back to the early decades of the organizations and spanning all the way to today. The key was to uncover the roots of stepping and why it stayed relevant.

Gregory's father, Dr. Anderson, a member of Omega at Fort Valley State University in the mid 50's saw the organizations as a refuge of enlightenment for an oppressed people. "These organizations are rooted in the dreams of our forefathers," Dr. Anderson's cousin, retired Col. Jerry Simmons who pledged Omega at FAMU in 1950 recalls. "It's so amazing to see how far stepping has gone. I remember going to Lee Hall and paying ten cents to see a Step Show, now it's this huge extravagant affair," he said.

Greg's mother, Delta Sigma Theta member and her sister Vivian Glover who pledged Delta in 1959 speak of stepping's purpose: "Stepping creates a deeper connection to sisterhood and brotherhood." Cousins Bruce Atwater (Kappa Alpha Psi '78 West Georgia University) and Wiley Shelman (Kappa '92 University of Georgia) talked about the birth of the name. "Stepping came from the popularity of a cappella groups during the Motown era of the 50's. That's why it's called 'Stepping'. In order to woo the ladies, fellas would make up the hottest steps, putting on a show for the girls."

Greg's cousin Henry Everson (Kappa Alpha Psi '69, Savannah State), advised Gregory to compare the stepping of the past to the stepping of today. Henry's sister, Vivian Austin (Alpha Kappa Alpha '74 Albany State), and brothers David (Kappa '93 Georgia South Western) and Melvin (Alpha) chimed in. "Back in the day, it was only singing, no stepping. In fact, some schools down south still call Step Shows a 'Sing'. Many people say that black Greeks borrowed the Glee Club singing from white frats and enhanced it." Vivian's daughter Mia Armstrong (AKA '99 Xavier University) and Cousin Joey Pierce (Alpha '04 FAMU) think that the new style of stepping still respects the past. "I know there are a lot of Greeks out there that don't like the evolution of stepping, but even though the moves may have changed, the heart of it will always be the same."

Greg's cousins Marcus Gooden (Kappa '93 Georgia Southern), Lynette Walters (Delta '03) and Pam Williams (Delta '91 Albany State) whose husband is a Kappa, Grandfather and two uncles are Omegas, and Uncle Rich is a Kappa, reminded Greg of what his high school teacher Mrs. Sherry Hendricks said, about delving further.

So, Greg took the big plunge and traced the roots of his family all the way back to Andersonville, Americus, and Pineview in Georgia. "My family is connected to the slaves from Andersonville, that's how we got our name." Further research found that although stepping did evolve because of the teachings of Kwame Nkrumah of Ghana, who introduced African "rites of passage" dances through Phi Beta Sigma, Greg found that slaves like his family and many other African American families found the art of stepping long before they arrived in America. "Stepping originated in West African dance rituals that were brought over to the New World by Africans caught by the Atlantic Slave Trade," Anderson said.

For Greg, the research and reconnection with his family and his past was invaluable. "It reaffirmed for me that these steps are more than just a dance, they're a spiritual baton passed on from one generation to the next."

Source: Fusion Omnimedia

CONTACT: Jocelyn R. Coleman of Favor PR, +1-310-968-5624,
jcoleman@favorpr.com, for Fusion Omnimedia, or R. Zinman of Fusion Omnimedia,
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